TYPE DESIGN
01_GALLIQUE
Gallique takes its name from the oldest of the garden roses, Rosa Gallica. The duality of soft petals met with prickling thorns soaks into the design of its juxtaposing forms to create a truly expressive, experimental take on a contemporary serif.
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Gallique takes its name from the oldest of the garden roses, Rosa Gallica. The duality of soft petals met with prickling thorns soaks into the design of its juxtaposing forms to create a truly expressive, experimental take on a contemporary serif.
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04/20-10/21
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02_GALLIQUE CYRILLIC
Gallique is completed with a Cyrillic version, which includes more than 160 new glyphs, with also alternatives for Bulgarian.
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Gallique is completed with a Cyrillic version, which includes more than 160 new glyphs, with also alternatives for Bulgarian.
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08/21
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03_BESOGOR
04/22-??/23
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03_ASTROLABE
Revival: Gros Cicéro, Robert Granjon, 1569.
Specimen: Claude Lamesle, The Type-specimens of Claude Lasmesle, Paris, 1742 [Production Type library]
Revival: Gros Cicéro, Robert Granjon, 1569.
Specimen: Claude Lamesle, The Type-specimens of Claude Lasmesle, Paris, 1742 [Production Type library]
01/20-??/23
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EDITORIAL DESIGN
04_ESADTYPE
Design of the call for application document, for the EsadType 22-24.
Design of the call for application document, for the EsadType 22-24.
04/22
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05_ÔLAB
La Dataphysique comme outil de communication
Speaking book - Makey Makey + connecting ink
La Dataphysique comme outil de communication
Speaking book - Makey Makey + connecting ink
05/18
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06_3 STUDIO
Report of a bookbinding internship at 3 Studio & Laboratoire du Livre
Tiny book: 10x12.5cm
Report of a bookbinding internship at 3 Studio & Laboratoire du Livre
Tiny book: 10x12.5cm
03/18
